i don’t get drawn to artists (2022)

supplemented by the instrumental of Jay Chou’s 黑色幽默 (2000).

because i am an artist. i know how to ruin
myself and others; sure, you have been ruined,
but to be ruined by an artist is to be fully soaked in paint,
tin after tin, to sit through films with only climaxes,
songs with only bass, selfish poems filled
with excessive abstraction. are those up your alley?
if your answer is somehow yes, i ask that you participate
in an experiment with me, to determine how electrifying the sparks
that’ll run through our bodies feel when our tongues tap, interact,
and vigorously flick each other back. are you ready? here comes
my tongue.

Brandon Choo

the night is selfish (2022)

supplemented by the instrumental of Jay Chou’s 退后 (2006).

because it furnishes regrets, but refuses
to swallow them back. regrets furnish an
insomniac, that makes it two things furnished.
now what? well, at least the night is clever,
because it knows digestion will not occur
after this swallowing, which means a smothering
of the moon, the stars, the constellations, and should i mention
the milky way? basically, it will leave the sky 
in the lurch — but how can the sky possibly be a deadened child,
it must continue to mesmerise the masses. so i’ll have to
take one for the team, and be left in the lurch instead.

Brandon Choo

this is the influence you have over me (2022)

the rain dribbles onto the window, glides

into a series of arteries and capillaries. blood raging
profusely; if my calculations do not fail me, i believe it to be boiling
at the same temperature as my melancholy. because of this similarity,
i feel the rain inside me.

stop telling me to withstand the emptiness

beside me. the softness of this seat is not the softness of you. you should
also know that i cannot conjure the ghost of you when driving in the day.
so even if you say

“can’t you just make do with the ghost of me?”

remember that no one is guaranteed to make it through to every night.

just the other night, i forgot if i had caressed
my body with soap after shampooing. you used
to be in charge of that; now i have to palm my armpit, rub my anus
with my middle finger, to know if i did. as such, premier league teams
facing relegation should reconsider
their melancholy . . .

                                 . . .

                                        . . .  this is the influence

                                                you have over me.

Brandon Choo

sticky situations (2022)

i

if you ever find yourself foaming at the mouth,
call me. i’ll suck the foam
out of your mouth.

ii

fought with dad today. then masturbated as usual.
an uncanny pair of ejaculations.

iii

girls are tender, girls are sweet. till
it tickles; now they know, they’ll go
wild: the greatest pleasure comes
from penetration.

iv

the newly-changed sheets happened to be
the one with abstract patterns. it was blazing hot
from the tropical afternoon’s penetration 
through the musty windows. yes, i have curtains, but i also
have nothing to hide. i told you to come
over, i have some styles i’d like to experiment
with you. so we sweat and stained and creased the sheets,
successfully rendering
the abstract patterns more abstract.

v

the black wind salivates profusely, but no longer into ears;
its trajectory now involves dripping mercilessly through the gaps
of my hair; the hair on my ears continue to wait 
in futility. strands once thought to be able to withstand all conditions now
fail. the wax has conceded entirely, its formula no longer
reliable. oil and wax have sex and coagulate to subvert weight. wait,
as i attempt to push the flying strands back into place 
but how? i do not know which side
they came from. all this effort
for nothing.

Brandon Choo

optimal nutrition (2022)

Supplemented by the instrumental of Eason Chan’s 淘汰 (2007).

Everything today reminds me of you. I molest my hair, nails rake the scalp over and over again till it burns, bleeds and rots. Like a dog, bringing a paw up to scratch its face in a frenzy, less the bleeding and the rotting of course. You can’t blame me, this shampoo demands unreasonably wet hair, it refuses to foam otherwise. The trickling droplets participate in the molestation. I surrender by dropping my palms, foam still clinging onto the precipice for dear life, I’m not sure why. They join the scalp to burn me alive; water doesn’t work when the burning’s inside, you should know that by now. Muffledness is our condition. You, slightly; me, absolutely. Physical intimacy is important. That’s the tender way of saying sex; relax, let us pretend we are saints for just one day, alright? I gasp for breath saying “I love you” because my neck’s still pressed down into           

                the                    muddy waters 

                         of                  the               broken. 

But I say it still. Remember, a poem can only exert its essence once, all subsequent readings are mere revisitings. Then, she presents me with her sacredness. Should I go all out with it, or be tender? It depends on her. Though I want to say you have that body and I want it. I don’t make a nice cuppa until I know the book is good. How many actually understand art? The real artists don’t consume art on the train or the bus. I should let you know that this entire poem was thought of during this shower. Yes. And I’ll end it by telling you: “if optimal nutrition can’t be sustained eternally, let us consume and swallow each other momentarily.”

Brandon Choo

the dichotomy of all things existing (2022)

can be illuminated through this phenomenon:
Beneath sun, a badminton court encompasses more than just
badminton — tai chi, roller skating, childish
laughter — calm, then so much 
fun. A jaunty dichoto—no, it dissolves into,
when the crickets come, the resting ground of
the broken, whose slouching shadows sprawl,
engulfing the lines of the court, followed by
staggering smog, that would have received
flak from parents, had it been unleashed
alongside afternoon rays, under which
their children must run and laugh.

Day and night are night and day.

Under the guidance of the sun, sweat seeps through the court’s rough surface, darkening. 
Perhaps the only disruption that stays. It will be rendered rougher, darker, by
cigarettes later. They are artefacts of melancholy, their heads once moist between
lips that couldn’t speak, or do not know
how to. Or perhaps just mine, which could explain why
I’m here.

And day and night are night and day.

Weather forecasts are inaccurate. “90% chance of rain”?
That’s not what my heart is saying. But I’m used to falsehoods — I operate on
the basis of them. So, do not hesitate to come up to me, though I might appear busy
maintaining the dichotomy of all things existing. I’ll say
hi.

Brandon Choo

To a Dying Man (2022)

‘Ah Gong’ is an affectionate address for an elderly man, usually one’s own grandfather. It is a common address in Chinese-majority countries.

Ah Gong, this is my attempt at rejuvenating your life through my own selfish lens. None of us knows whether you’re yearning to go, but as most close ones usually find themselves subconsciously inclined to do, we assume you want to hang on, or, more accurately, that we want you to hang on. I no longer feel your grasp when I massage your shrivelled hand. Why is that so, are you tired? As I recollect the recollections I had the other day while sitting desperately by your bed in Ward 9C, Tan Tock Seng Hospital, trying to make sense of your scaly countenance for the two hours I was there, I decided that I would like to write this letter to a you whose reincarnated life hopefully comprehends the English language, because this wouldn’t mean anything to the present you who has mastered only the Chinese language. As mentioned, this is a letter that aims at rejuvenating your life through my own selfish lens. What does that mean? To be honest, not even I myself am entirely sure. But if I must posit an interpretation, I would say it means knowing you may not want to hang on anymore, perhaps due to a certain kind of benevolence that seems to hit those on the brink of death (after each series of emotional outbursts, of course), and so, the least I can do is start seeing you as dead, a preparation of sorts, perhaps to expedite what would otherwise be a delayed grief, but that because I do not want to, even though I understand your train of thought (if indeed you’re yearning to go), the least I can do is to rejuvenate you within my psyche, to breathe life into you, to the best of my ability, albeit the delusional nature of this endeavour, which, knowing your distaste for irrationality, would probably receive your incandescent flak, assuming your reincarnated life manages to comprehend this, as I wish. All this I know, but I can be pretty stubborn at times, just like you; it’s not as if you didn’t know we share this quality. So the least you can do, is to let me revel in being like you, for the time being, at least.

I don’t think Mom has expressed this enough to you, or even at all, but thanks, Ah Gong, for the emotional support you have given her back on 28th December, 1998, when I almost couldn’t see this world, a life that was expected to see the end before the year does. C-sections are tough enough already, imagine a C-section assessed to risk death. While the me at the very time of this writing subscribes to the philosophies of Cioran, meaning to say I would have preferred for the assessment to have crystallised, since it has been botched, thank you. None of you would have been happy if it crystallised, anyway, which I’m used to; if there’s one thing I want to impart to kids, it is that no one really cares about you, as much as you think they do; I’m talking on a spiritual level. Anyway, yes, Ah Gong, at least you contributed something to Mom’s eventual happiness. When her ontological security was threatened by what she believed would be the holding of a demise, a lifeless product, you injected faith into her, and further massaged it so as to ensure she genuinely felt it. That in approximately one hour’s time, she will be holding in her arms the most adorable child to ever see this world, and everyone in the Choo and Lim families will be the happiest they have been in years. The already bright pastel-coloured birthing room became brighter. You breathed life into her. I couldn’t feel it back then, but now I am breathing life into you. Can you feel it, Ah Gong? Because now I can. I am human because you are.

And how can I forget the most innocent tenderness of a grandparent? The days of being protected by you from anything and everything, when Mom’s mood swings came through in full motion. Running behind you and digging into your calves to attain a shaky stopping of a cane? Check. Manipulating you with my irresistible cuteness so as to induce your nagging at Mom for her overbearing strictness towards me? Check. Using your influence as a means to obtain every single toy I wanted? Check. Crying uncontrollably so that you’ll bring me to the playground whenever Mom doesn’t? Check. In other words — I love you, Ah Gong. Oh, I love you. I love you so, so much. Those were truly the days.

I’m famished. Are you? I’m not sure what the other side offers, this is one of the aspects not presented in Haw Par Villa. Is there even an “other side”? Either way, I think you’ll be fine. You were a proud owner of one of the largest farms in the kampung you were living in. Everyone knew you. When someone got jealous, the law firm you engaged was always Lee & Lee. You were not the kind to play around. In your free time, you indulged in writing. A hobby survived by artefacts of yellowed phonebooks, last pages adorned by stunningly written idioms of extravagant ink and masterful calligraphy. You were a zealous proponent of Chinese literature, apparently. Obscure works, especially. You adored the obscure. I heard everyone in the kampung had at least one work of Chinese literature, all of which gifted by you, which most of these people had not one bloody clue about the plots, nor the authors. Most of these works were as good as dead, the cause of death being suffocation, having existed between other lesser works, breathing dust, not having been read, which was a tell-tale phenomenon of the ever-so prevalent artistic taste that continues to prevail and persist today, unfortunately. Nonetheless, this means that you had persisted in the lives of others, at least for a solid period of time, albeit the further possibilities that could have been, if those people were like you. It’s safe to say you were a cool and great man. And I’m making you cooler and greater by persisting you here, in black and white, where you came from. Not in your language, however, but the least I can do . . .

Is to bawl my eyes out at all things inevitable? It seems to always happen at unforeseen times. I once fell asleep grasping your left hand, you uttered a comment about how your hand felt irresistibly sticky, which you followed with a ‘tsk’, a vocalisation that represents you in the most organic form; I lifted my head up, red eyes bearing the answer to that comment, even though I don’t think you were ever looking for an answer. But you probably knew. How couldn’t you? The redness was supported by a swift, rough grazing of my eyes and nose in one motion each, before I took tissue to clean up the sugary residue I laid upon the side of your left hand. Some things we don’t say, just keep in heart will do. The precipice is also deserving of a moment of silence, before the precipitate receives it all the same, and in greater glory.

As you lay decaying, rotting away as you wait for death to claim you, I find myself rehearsing my way of dealing with it, when it does finally happen, which it will. “Life isn’t as important as you think. No one’s special. You are nothing. Death is a means of emancipation. You should be glad that you’re granted the ability to die. So get over it.” Sure, not the healthiest way of dealing with grief, but definitely one that will work, to begin with, at least.

I’m not going to tell you how I’ve been, because you should have already seen it all. I’m basing this off the traditional Chinese belief that when we pass away, our spirits either ascend or descend but will surely look over our loved ones who are still alive — or, more accurately, try all we can to tell them that we’ve returned to earth in spiritual forms. In some cases — or perhaps many, I’m not entirely sure — spirits get reincarnated into various animals and insects, such as moths, dogs and cats. In the case of moths, they fly into the homes of their surviving loved ones and hope that these loved ones view them as deceased loved ones. And for dogs and cats, apparently God occasionally plans it in a way such that if you’re looking to adopt a dog or cat, that dog or cat could possibly be the reincarnation of a deceased loved one. So I hope one of these, at least, will happen. I’m not a greedy person. Only greedy in my prayers for your existence to somehow prolong beyond expectation.

Actually, did you really have to leave me in the lurch? Are you not able to see my suffering? A suffering on the brink of choking on its own breathing as days pass with me knowing you’re still lying there in Ward 9C, Tan Tock Seng Hospital? I wouldn’t be surprised if I end up giving up on this piece right here right now, choosing to degenerate and stare into air every passing day. At least that would be another similarity we’d share.

Ah Gong, this was my attempt at being you. Which manifested in real life too, of course, don’t worry. It would be silly of me to think just this letter would do you enough justice. Or more accurately, justice enough to encapsulate your distaste for incompetence. Are you satisfied? Today I finally saw the goodbye in your eyes. You never did try to hide. We were just deluding ourselves all this time. But it has been bleak. Everything . . . just everything. How can anything be this unbearably bleak? So I finally allowed myself to see your goodbye. And so goodbye in advance. It was great having you on this Earth. You were great. Your eyes deserve to shine goodbyes. And, because “Do not go gentle into that good night” has been used to see off so many stars already, I’ll leave you with Godspeed You! Black Emperor instead, if you don’t mind:

.

.

.

“Lift your skinny fists like antennas to heaven . . .” 

Ah Gong!

(It’s okay, you’ll understand when you receive omnipotence.)

Till then.

Tan Tock Seng Hospital: Arguably Singapore’s second most significant hospital, after Singapore General Hospital.

Haw Par Villa: A popular cultural park in Singapore, and the only one that showcases “statues and dioramas depicting scenes from Chinese mythology, folklore, legends, history, and illustrations of various aspects of Confucianism.” (Wikipedia).

kampung: Malay word for ‘village’, that was prevalent in Singapore prior to its rapid urbanisation under the rule of former Prime Minister and unofficial founding father of modern-day Singapore, Lee Kuan Yew (1923 – 2015).

Lee & Lee: A prominent law firm established in the 50s by former Prime Minister and unofficial founding father of modern-day Singapore, Lee Kuan Yew (1923 – 2015), his wife Kwa Geok Choo (1920 – 2010), and his younger brother Lee Kim Yew (date of birth and death unknown). It was once the largest law firm in Singapore, and its clients were mostly high net-worth individuals and large corporations.

Brandon Choo

suggestions (for a varied deity) (2022)

upon a series of 5 consecutive drunken & undrunk nights standing in front of the home altar, questioning guan yin’s authenticity.

If a water cup renders this Earth
unbearable, why not consider
serving vodka instead? Maybe a drunken
stupor is what Guan Yin needs, to make things
right —

(Considering this Earth’s ongoing
plight . . .)

I look into Her eyes and Her eyes are still. A facade of anti-climactism
imposing climactic suffering, always succeeding in preventing
displacement from fervent and dormant worshippers alike, I suppose
I attempt to make meaning of all this and as much as 
I want to avoid attributing
it to Her, it seems like that is
the case.

(The name “Guan Yin” supposedly insinuates Her “all-seeing, all-hearing” abilities. But why does my Guan Yin seem blind and deaf? Do I have to die to be able to see what you’re seeing, hear what you’re hearing?)

Bathed in light twenty-four-seven, it’s hard not to feel
omnipotent. There’s a method to heaven, they say. Just
produce that light.

Yet light produced, to no insight. If you were here with me
in front of Her, witnessed the nights I, polished the resin on this altar, pointing fingers demanding answers, still eyes refusing to explain why
she left, then you will understand 
why I’m revved.

(The wilting flowers might
be the reason for
Her diminished performance.)

And so explains why I’m convinced, that none of us has
been praying right. So tonight the cup holds 
vodka instead, and darkness will smother Guan Yin’s body
to render nakedness. She should vomit all over
Earth. Then I’ll let you know, in time to come, whether it has
finally turn bright.

(If I clink my glass to Her cup, will I be berated for
being too much?)

If it did, then you should start
serving vodka starting tomorrow night.

Brandon Choo

a promise (2022)

is pretty. impressive, at being pretty

impressive. just substitute ‘a’

with ‘the’, and you get a beautiful novel

by a Booker Prize-winning author.

is traditional. in other words, a pinky. no,

pinkies, because when it comes 

to love, i don’t

pity.

is underrated. where else do you know

of a sum of all insignificant parts amounting

to an anxious embrace,

suffocating weight?

thus, can be said

to be an act that requires an agreement between mine and yours

to amalgamate. two before and then four,

and then four …

or three, that’s up to y’all …

Brandon Choo

hennessy (2021)

something that will always be there for me,

hennessy, or the panacea to a heartache

i can’t understand. do you not sometimes get that

       feeling within your body? not butterflies, but

the feeling of why the rain seems to speak to me,

       when i should be in disagreement, loudly

louder than its thunderous roar, just like your body

after hennessy it appears to be an atlas of

my journey, between each follicle is an opportunity 

       to disintegrate my insecurities. what would i 

do without you? hennessy, only you can

       understand me. not just attempt as an effort

to appear as though this means something to you, but

       actually understand me. honestly, i do not

see how this harms me (that’s what my friends

say). i’m not one to go against them, but can

you rebut me when i say that neither did you feel

       that your previous relationship could have harmed you? yet it did. so baby,

…….. i mean hennessy. take me away to distant

beds, where a sin is used to repent

past sins.

Brandon Choo